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    • Ánima Correa: Ambergris
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    • Alan Shields: Tweaking The Grid
    • Klammern aus denen Blätter Sprießen
    • Panteha Abareshi: This Is Not A Body
    • Cara Chan & Don Edler: Deep Time
    • NADA Miami - Don Edler
    • Sam Rowell: Dissolving The Sky
    • Evangeline AdaLioryn: The Pearl Eater
    • Rollin Leonard: About Face
    • Sessa Englund: Fool's Errand
    • Tarik Garrett
    • Don Edler: Devil You Know
    • XX:XX
    • Molly Surazhsky: PPE • People's Power Enhancement
    • Colleen Hargaden: Strategies for Inhabiting a Damaged Planet
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    • Tammy Nguyen & Adam de Boer: Facing New Axes
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    • Sam Rowell - Persistence of Vision: Luminous Flux at the Event Horizon
    • Adam de Boer: Traveller's Palm
    • Rupture of Plane: Alan Shields + Mimbres Painted Pottery
    • Corpus Alienum - Don Edler, Hayden Dunham, Amanda Vincelli
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    • Claire Colette: Widening Circles
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Landgrab_Still2.jpg

Filip Kostic: Landgrab the Musical in Virtual Reality

January 20, 2019

Filip Kostic
Landgrab the Musical in Virtual Reality

SPRING/BREAK Art Show LA

The Stalls at Skylight ROW DTLA
1925 East 8th Street, Los Angeles

VIP Preview | Friday, February 15, 2 - 5PM
VIP Opening Night | Friday, February 15, 5 - 9PM
Regular Show Days | Saturday - Sunday, February 16 - 17, 12 - 8PM

Hunter Shaw Fine Art is pleased to participate in the first annual Spring/Break Art Show LA, with a solo presentation by Filip Kostic. On view will be Landgrab the Musical in Virtual Reality, a four-song narrative VR experience housed within a monumental sculpture.

Virtual reality as a cultural artifact resembles the trajectory of any image-based technology which fundamentally restructures the position of the viewer within the image. In Landgrabthe Musical in VR, it is this repositioning that Kostic investigates. The viewer (as represented by a floating cowboy hat) follows a cowboy avatar as he sings of his binary existence. Four digital western landscapes are adjoined and mapped one-to-one with the steel and wooden structure that houses the experience - as to address the paradox of site specificity in virtual reality. The conflation of digital and physical space in real-time, as defined by their contingent existence, actualizes the physicality of simulation. We are confronted with an old model of masculinity in the image of cowboy seen through the literal lens of a new technology, as a means to examine themes of identity and agency in simulated spaces. The four-song narrative oscillates between singing of the construct of the simulation and addressing the emotional collateral of being a digital image.

Filip Kostic is an artist and educator originally from Serbia, now living in Los Angeles. Filip teaches at ArtCenter College of Design in the Interaction Design Department. Kostic is interested in the proposition that screen/virtual space and physical space have collapsed onto one another, that they are in a tautological loop affirming one another. His work uses simulation, installation, and video to investigate themes of autonomy, the digital self, and the mechanisms that facilitate these understandings. Recent exhibitions include: Pilot, group show with Andy Bennet and Colleen Hargaden, Elephant Art Space, Los Angeles; Fälschung, Projektwohnung Krudebude, Leipzig, Germany; Twister, collaboration with Theo Triantyfillidis, Elevator Mondays, Los Angeles; Open Loop, Roger's Office, Los Angeles; and Spring/Break Art Show 2017, New York City.

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