Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Klammern aus denen Blätter Spriessen
works by: Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale, and Jonas Schoeneberg

April 1 - May 2, 2022

PRESS: Berlin Art Link ; Kuba Paris ; Ofluxo ; TZVETNIK

The exhibition Klammern aus denen Blätter Spriessen is a collaboration between the LA-based gallery Hunter Shaw Fine Art, and Berlin-based independent space Scherben. The first iteration opens at Scherben on April 1, 2022 and runs until May 2, 2022. The accompanying program includes performances and lectures by the participating artists. In June 2022, the second iteration of Klammern aus denen Blätter Spriessen opens at Hunter Shaw Fine Art in Los Angeles.

Klammern aus denen Blätter Spriessen assembles a group of artists, who have independently sought out to investigate different strains and subcultures of escapism, found in DIY maker movements, mysticism, gaming culture, biotechnology, virtual reality and the extension of bodily formations through social and scientific techniques. Showing in this ensemble for the first time, Colleen Hargaden, Filip Kostic, Yein Lee, Andrew Rutherdale and Jonas Schoeneberg venture out of their studios in Berlin, Los Angeles, Montreal and Vienna to open up their practices to mutual encounters, allowing their perspectives and interests to intersect, converge and enter into conversation with another. Together they offer conceptual variables to understand situations excluded from normative notions of the real. Like the seemingly irreal scenario of “brackets, from which leaves sprout” (Klammern aus denen Blätter Spriessen), alternate patterns and cognitive abilities emerge from which to think the escape button culturally assigned to virtual reality anew. If one of these pathways was projected in spacetime, it would read: “Once you’ve made a gateway of brackets, slipping into the embrace between them, you unlock the control console and peer into its memory slot. There. Expect a beautiful but unreal setting.”

Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Colleen Hargaden
Capsule Three: Stirling Engine
2022
HD video (03:14), 1550 Pelican case, 1500 Pelican case, 1300 Pelican case, portable solar panels, two portable solar generators, stirling heat engines, 90% alcohol, olive oil and oiling can, glass vials, extra wicks and rubber bands, matches, military grade flash drive, media player, metal utility shelf
Dimensions variable

Colleen Hargaden
Capsule Three: Stirling Engine (detail)
2022
HD video (03:14), 1550 Pelican case, 1500 Pelican case, 1300 Pelican case, portable solar panels, two portable solar generators, stirling heat engines, 90% alcohol, olive oil and oiling can, glass vials, extra wicks and rubber bands, matches, military grade flash drive, media player, metal utility shelf
Dimensions variable

Filip Kostic
Bed PC
2021
Custom built water cooled computer built into the frame of a bed, bed size variable, 4 curved monitors, cables mounted to wall, keyboard, streaming microphone mounted to wall, webcams, gaming mouse, peripheral computer
Dimensions variable

Filip Kostic
Bed PC (detail)
2021
Custom built water cooled computer built into the frame of a bed, bed size variable, 4 curved monitors, cables mounted to wall, keyboard, streaming microphone mounted to wall, webcams, gaming mouse, peripheral computer
Dimensions variable

Filip Kostic
Bed PC (detail)
2021
Custom built water cooled computer built into the frame of a bed, bed size variable, 4 curved monitors, cables mounted to wall, keyboard, streaming microphone mounted to wall, webcams, gaming mouse, peripheral computer
Dimensions variable

Andrew Rutherdale
The Leviathan’s Corpse
2021
Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs

Andrew Rutherdale
The Leviathan’s Corpse
2021
Laser-engraved SCOBY on acrylic panel, ABS, epoxy resin, aluminum framing, LEDs

Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Yein Lee
Savior syndrome or good girl complex, starring perpetual past
2022
Electrical wire, epoxy putty, steel, plaster of paris, motorbike parts, paint, plastic waste

Yein Lee
Savior syndrome or good girl complex, starring perpetual past (detail)
2022
Electrical wire, epoxy putty, steel, plaster of paris, motorbike parts, paint, plastic waste

Jonas Schoeneberg
L-R: (liminal_board/sliced)_für ithell; (liminal_board/sliced)_für hilma; (liminal_board/sliced)_für hans
all: 2022
all: gouache, acrylic, pigments, salt, plaster, styrofoam, wood

Jonas Schoeneberg
(liminal_board/sliced)_für hilma (detail)
2022
Gouache, acrylic, pigments, salt, plaster, styrofoam, wood

Jonas Schoeneberg
(liminal_board/sliced)_für hilma
2022
Gouache, acrylic, pigments, salt, plaster, styrofoam, wood

Jonas Schoeneberg
(liminal_board/sliced)_für ithell (detail)
2022
Gouache, acrylic, pigments, salt, plaster, styrofoam, wood

Exhibition view of Klammern aus denen Blätter Spriessen. Photo by Thomas Krüger

Yein Lee
I am waking up screaming
2021
cables, styrofoam, epoxy putty, spraypaint, fake flowers, broken CD driver, broken Motherboard, PET sheet

Colleen Hargaden
Terminal Island
2022
Computer generated 3D animation TRT 02:00